FUSIONS

It was Saturday night. We could have gone to a movie, but hey, we live in Manhattan! Anyone can go to a movie! Let’s go to this thing.

FUSIONS dissects through music, clowning, and video, the impact of the technology on the nowadays’ society. The humorous and absurdist dysfunctional daily escape of the characters into the realm of reality TV shows, movies, the internet and social media, place their lives into a virtual reality, raising questions about the future of the human relationships.

I expected a combination of modern dance, atonal music, and some weird distorted video projections. Perfect for 10 PM on a Saturday night.

Instead, it was more like Sophocles. Characters with occupations but not names stood alone before the audience, delivering monologues on the nature of life as an actor, nerd, clown, or, um, woman, basically. The woman is distinguished as being “obsessed with reality TV”, which is sort of a bizarre idea at the end of 2016. What’s a TV?

The clown is an actual clown, who does a whole bunch of very impressive clowny tricks. Also everyone goes by their real names, or rather, the characters all take the actors’ names.

After the monologues, a very simple, surreal story develops involving a love triangle of sorts. The clown is the straight man, representing the audience in his desire to muck around and generally not have anything to do with these other characters. The others are pencil-thin single-issue archetypes, more concept than character.

The Actor spends most of the play telling the audience they should go see a movie instead of a play, and enumerating all the various ways that watching and acting in movies is superior to watching and acting in plays.

In this case I suppose he may have been right.

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